Danni Marti George 2001

Dani Marti George (2001) 201.0 x 610.0 cm (triptych) nylon, polypropylene and polyester on a wooden frame
Gift of the artist through the Australian Government's Cultural Gifts Program 2005 reproduced courtesy the artist

Conversations with the Collection

Dani Marti and Rebeca Senatilaka

 

DANI MARTI
Newcastle Region Art Gallery collection

Before training as a painter Dani Marti spent time in Barcelona learning traditional tapestry techniques. In George 2001 Marti has woven together industrial polymer ropes in fluorescent yellow and orange to create a non representational portrait. In the plaiting and weaving of synthetic fibres we search for evidence of George and are reminded of how often we associate those nearest and dearest with their clothing, its texture and scent. Like a CSI close up, we are invited into a microcosmic and intimate encounter.

Marti’s tactile works are often associated with particular people in the artist’s life and even though they refuse to portray a subject in the manner of conventional portraiture, they emanate with a sense of character and the feel of personality.

 


REBECA SENATILAKA
Ignorance is strength
Sculpture
Hurlstone Agricultural High School Glenfield

Buddhists identified ignorance as the root of suffering. My artwork explores how ignorance can twist reality, cloud judgement and result in negative emotions. The mass media play a significant role in our society, informing and persuading a wide audience – but the truth is often blanketed by cynicism and ambiguity. It encourages society’s ignorance. It dominates the space, but the blanket itself is fragile: the truth does escape. Each letter reinforces the other, some break away attempting to distinguish themselves. Attachments to the others restricts its meaning, urging resistance from worldly attachments.





Resources

ARTEXPRESS ED KIT_Marti-Senatilaka (1.2 MB pdf)