Daedalus series 7 1968

Col Jordan Daedalus series 7 (1968) 165.0 x 165.0 oil on canvas on board
presented in 1983 by Mr and Mrs J Cobb reproduced courtesy of the artist

Daedalus Number 7, 1968

John Tranter

 

Look through my surface: I am as tall as a person,

and I hold multitudes: bodies by the thousand.

 

A shot, and Martin Luther King lies dead.

More gunfire and the Tet Offensive begins,

President Johnson gives up and sinks into history.

In California, Nixon begins to smile.

 

Another gunshot and Robert Kennedy

lies bleeding from the skull. What is America

doing to itself?

                           Fourteen colours tell us

various ways to live, and perhaps to die:

the outer layer a glowing heat shield

flaming through the blue sky;

below, the green water where a boy falls

and drowns, escaping from the labyrinth

where the Athenian architect, his wise father,

toiled and built — wise, but not wise enough:

having escaped from beneath the earth

they climb through air and water

to meet the fire in the sky. It’s 1968:

Yuri Gagarin dies, and Tallulah Bankhead,

Neal Cassady, Weegee and Yvor Winters.

Marcel Duchamp gone, leaving behind

his European arabesque of lies.

 

In March our American friends and allies

incinerate three hundred people

in the village of My Lai. In August

the Russian tanks grind over the cobbles

to enslave Czechoslovakia for the third time

in thirty years. Now Apollo

rises to meet the moon. Welcome to the future.

 

 

John Tranter (NSW) has published several collections of verse including the prize-winning Urban Myths: 210 Poems: New and Selected.

He is the co-editor of the Penguin Book of Modern Australian Poetry and the editor of the free Internet magazine Jacket.

Daedalus Number 7, 1968 was written by John Tranter in response to Col Jordan’s Daedalus Series 7 1968 in the Newcastle Region Art Gallery collection.